Open University Set Books

As You Like It (Penguin Shakespeare)

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The Color Purple

PRIDE MAGAZINE (1 September 2004)Product DescriptionSynopsisAbout the Author
'Add this great book to your collection now.''One of the most haunting books you could ever wish to read...it is stunning - moving, exciting, and wonderful' Lenny Henry Set in the deep American south between the wars, this is the classic tale of Celie, a young poor black girl. Raped repeatedly by her father, she loses two children and then is married off to a man who treats her no better than a slave. She is separated from her sister Nettie and dreams of becoming like the glamorous Shug Avery, a singer and rebellious black woman who has taken charge of her own destiny. Gradually Celie discovers the support of women that enables her to leave the past behind and begin a new life.Set in the segregated world of America's "Deep South", this work tells the story of Celie. Raped by the man she calls "father" and having had her two children taken from her, she meets Shug Avery - a glamorous singer and magic maker, and discovers the love and support of a woman.Alice Walker won the Pulitzer prize and the American Book Award for The Color Purple. She is the author of many bestselling novels, essays and collections of poetry.

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The Color Purple

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Get your "A" in gear!

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And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else!

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A Doll's House (Dover Thrift Editions)

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Fathers and Sons (Oxford World's Classics)

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When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

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Frankenstein or The Modern Prometheus: The 1818 Text (Oxford World's Classics)

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Shelley's enduringly popular and rich gothic tale confronts some of the most feared innovations of evolutionism and science--topics such as degeneracy, hereditary disease, and humankind's ability to act as creator of the modern world. This new edition, based on the harder and wittier 1818 version of the text, draws on new research and examines the novel in the context of the controversial radical sciences developing in the years following the Napoleonic Wars, and shows the relationship of Frankenstein's experiment to the contemporary debate between champions of materialistic science and proponents of received religion.Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image ? but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

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Great Expectations (Oxford World's Classics)

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With a new introduction and notes, this edition of Great Expectations offers new insights into one of Dickens's most fascinating and disturbing novels. Charting the progress of Pip from childhood to adulthood, Dickens shows the dangers of being driven by a desire for wealth and social status. As Pip moves from the Kent marshes to busy, commercial London, encountering many extraordinary characters--from Magwitch, the escaped convict, to Miss Havisham, a woman locked up with her past--he is confronted with the challenge of establishing a sense of his own identity and values contrary to the plans others have for him.Dickens considered Great Expectations one of his "little pieces," and indeed, it is slim compared to such weighty novels as David Copperfield or Nicholas Nickleby. But what this cautionary tale of a young man raised high above his station by a mysterious benefactor lacks in length, it more than makes up for in its remarkable characters and compelling story. The novel begins with young orphaned Philip Pirrip--Pip--running afoul of an escaped convict in a cemetery. This terrifying personage bullies Pip into stealing food and a file for him, threatening that if he tells a soul "your heart and your liver shall be tore out, roasted and ate." The boy does as he's asked, but the convict is captured anyway, and transported to the penal colonies in Australia. Having started his novel in a cemetery, Dickens then ups the stakes and introduces his hero into the decaying household of Miss Havisham, a wealthy, half-mad woman who was jilted on her wedding day many years before and has never recovered. Pip is brought there to play with Miss Havisham's ward, Estella, a little girl who delights in tormenting Pip about his rough hands and future as a blacksmith's apprentice.

I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. Her contempt for me was so strong, that it became infectious, and I caught it.

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Henry V (The New Penguin Shakespeare)

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Henry V, the climax of Shakespeare's sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness. Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play's fluctuating fortunes in performance, and analyses the range and variety of Shakespeare's characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600).Shakespeare's immutable history of Henry's victory over the French at Agincourt and the subsequent peace between the two nations is also a study of war and kingship. From a wild youth, Henry comes to embody all of the kingly virtues: courage, justice, integrity and honour. Ironically these qualities are brought to the fore by the realities of war. Written at the end of the life of Elizabeth I, "Henry V" told the British people that with strong leadership, they had little to fear at a time of uncertainty.Gary Taylor is Professor of English, Brandeis University. Associate Editor of the Complete Oxford Shakespeare, he is also the author of several critical studies of Shakespeare and his works.

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Othello (New Penguin Shakespeare)

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If anything, Othello has increased its stature as one of Shakespeare's greatest tragedies ever since it was first written, between 1603 and 1604, due to the victimisation suffered by its tragic hero, Othello, as a result of his skin colour. Othello is a "noble Moor", a North African Muslim who has converted to Christianity and is deemed one of the Venetian state's most reliable soldiers. However, his ensign Iago harbours an obscure hatred against his general, and when Othello secretly marries the beautiful daughter of the Venetian senator Brabanzio, Iago begins his subtle campaign of vilification, which will inevitably lead to the deaths of more than just Othello and Desdemona.

An extraordinary play, both for its dramatic economy and power as well as its remarkable language, from Othello's bombastic "traveller's history" to Desdemona's elegiac "willow song", the play raises uncomfortable questions about ongoing questions of not only racial identity but also sexuality, as Othello and Desdemona's sexual relationship becomes the voyeuristic site of Iago's attempt to destroy them. Particularly fascinated with the question of what it means to "see", Othello also contains one of the greatest tragic death scenes in all of Shakespeare, with Othello's final identification with "a malignant and a turbaned Turk". --Jerry Brotton Part of "The New Penguin Shakespeare" series, this text looks at "Othello" with an introduction, a list of further reading, commentary and a short account of the textual problems of the play. The series is used and recommended by the Royal Shakespeare Company.

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Pride and Prejudice (Oxford World's Classics)

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Pride and Prejudice has delighted generations of readers with its unforgettable cast of characters, carefully choreographed plot, and a hugely entertaining view of the world and its absurdities. With the arrival of eligible young men in their neighborhood, the lives of Mr. and Mrs. Bennet and their five daughters are turned inside out and upside down. Pride encounters prejudice, upward-mobility confronts social disdain, and quick-wittedness challenges sagacity, as misconceptions and hasty judgements lead to heartache and scandal, but eventually to true understanding, self-knowledge, and love.
In this supremely satisfying story, Jane Austen balances comedy with seriousness, and witty observation with profound insight. This new edition includes a new introduction, updated notes, and new appendices on social rank and dancing in 19th-century England."It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber

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Top Girls (Methuen Student Editions) (Student Editions)

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Marlene hosts a dinner part in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904), the adventurous traveller; Lady Nijo (b1258), the mediaeval Japanese courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan, the transvestite early female pope and last but not least Patient Griselda, and obedient wife out of Chaucer. As the evening continues we are involved with the stories of all five women and the more pressing dilemmas of Marlene herself. A classic of contemporary theatre, Churchill's play is seen as a benchmark for ushering a new generation of playwrights after it was premiered by the Royal Court in 1982. "Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind."(John Peter, Sunday Times) This volume contains a chronology of the playwright's life and work; an introduction giving the background to the play; a discussion of the various interpretations, notes on individual words and phrases and photographs from stage productions.Marlene hosts a dinner part in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904), the adventurous traveller; Lady Nijo (b1258), the mediaeval Japanese courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan, the transvestite early female pope and last but not least Patient Griselda, and obedient wife out of Chaucer. As the evening continues we are involved with the stories of all five women and the more pressing dilemmas of Marlene herself. A classic of contemporary theatre, Churchill's play is seen as a benchmark for ushering a new generation of playwrights after it was premiered by the Royal Court in 1982. "Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind."(John Peter, Sunday Times) This volume contains a chronology of the playwright's life and work; an introduction giving the background to the play; a discussion of the various interpretations, notes on individual words and phrases and photographs from stage productions.

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